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Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,

Her questions brought long and wonderful tales of Billy’s younger life; of Edith when she, too, was a little girl. The child helped to set the table, carried in bread, salad plates, and jelly. “It shakes like the fat woman at the circus when she laughed. How do you make jelly?”,

This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain.,

“Aint it amazin’ how hungry one gits,” hoarsely remarked Mr. Wopp who had not spoken for some time owing to close application to the task in hand. “Lize, I want a piece of that punkin pie of yourn.” Here he caressed the bulging buttons on his waistcoat. “My mouth’s waterin’ fer it an’ I b’lieve I hev room.”

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“What’s the Golden Text, Norer?”,

“Don’t you remember the first day I went to school, he took me between his knees,—I was a little kid then,—and said, ‘Billy, if I[133] know that you ever jump on a boy first to fight him, I’ll lick you. And if another boy jumps on you first, and you don’t fight back, no matter how big he is, I’ll lick you then.’”,

“They won’t be watching for visitors,” the man answered; “they’ll be hiding the plant and skinning out of here,—if they haven’t already,” he added apprehensively. He stood[217] back to the wind and scanned the opposite bank. “There they are, two of our fellows; the chaps haven’t escaped in that direction.”,

To his mother and sister Billy seemed changed. He stuck closer to his books. His teacher told them the boy stood at the head of his class. “Jimmy Dorr may be a rival if he feels like work, which isn’t probable. Jean’s accident last year put her behind, otherwise the boys would have to work much harder if either excelled her.” Yet even these welcome words did not account for some things the mother quietly observed; Billy’s growing promptness, better attention, and memory for matters outside of play. He was more silent, too; and there was less hammering and whistling in the shop.